ORIENTAL CERAMIC SOCIETY
SPRING PROGRAMME 2014
P.O. Box 517
Cambridge CB21 5BE, U.K.
Tel/Fax: + 44 (0) 1223 881328
Email address: firstname.lastname@example.org
Web address: www.ocs-london.com
* * * * * * * * * * * * * *
Asia Week in New York is a powerful magnet
for enthusiasts of Asian art each spring. This year the OCS
will therefore offer two events in New York to coincide with
Asia Week, besides the regular programme of lectures and handling
sessions that takes place in London: a behind-the-scenes viewing
of some of the outstanding Chinese ceramics at the Brooklyn
Museum, currently in storage due to renovation of the galleries;
and a short symposium on various aspects of Kangxi porcelain
in cooperation with Sotheby’s. (For details, please see
page 6 of this programme). In London we will again present new
research on a wide range of topics, with drinks before or after
each lecture provided by our sponsors, which are listed below.
The OCS Tour to Naples will take place in April 2014, and a
handling session of members’ objects in May.
The autumn of 2013 saw a rich programme of
lectures: Professor Ôhashi Kôji from the Kyushu
Ceramic Museum presented the latest findings from excavations
undertaken at Edo Castle, currently the Imperial Palace, Tokyo;
OCS Council Members Dr. Nigel Wood and Dr Stacey Pierson gave
a lucid introduction on celadon wares; Derek Gillman, President
of the Barnes Foundation, Philadelphia, re-dated and re-attributed
the life-size sancai figures of ‘Imperial Luohans’
of Zhongdu in a Christie’s/OCS lecture; in the first Sonia
Lightfoot Paintings Lecture Dr. Howard Rogers, President of
Kaikodo LLC, introduced our members to Chinese painting, concentrating
on exoticism under the Song Emperor Huizong; Dr Minna Törmä,
of Christie’s Education and the University of Glasgow,
introduced Osvald Sirén and his British friends and colleagues;
and Angela Howard, Director of Heirloom & Howard, spoke
about the English and their taste for Chinese armorial porcelain.
The lectures were very well attended throughout and I do hope
to see a full house again very often during the coming Spring
Sadly, I have to report the passing away of
three long-standing, supportive members of the Society, Johanna
Austin, Sir Michael Butler and Robert Kleiner.
Regina Krahl, President
* * * * * * * * * * * * * * *
SPRING PROGRAMME OF LECTURES
All lectures will be held at the Society
of Antiquaries of London, Burlington House, Piccadilly, London
W1J 0BE, either at 6.00 p.m., or with welcome drinks in advance,
at 5.45 p.m. for 6.15 p.m., unless otherwise noted*.
Tuesday 11th February, at the Society
5.45 p.m. for 6.15 p.m. with welcome drinks sponsored by Woolley
Witnessing Change: The Jingdezhen Experience
Felicity Aylieff has been making large-scale
porcelain vessels in Jingdezhen since 2006, working in collaboration
with small family workshops and skilled craftsmen. In her lecture
she will look at what took her to Jingdezhen, the challenges
she faced making work in an unfamiliar culture, and how taking
on these new experiences opened up opportunities and extended
her creativity as an artist. She will discuss the types of work
currently being made in the specialist studios and factories
and illustrate the changing face of Jingdezhen, the transport,
the impact of massive housing developments, through to scenes
of everyday life.
Her own ceramics explore how techniques traditional
to Chinese ceramic manufacture can inform contemporary work.
Her focus is Blue and White painting and the decorative technique
of ‘Famille Rose’ enamel painting: Fencai. Her research
into both have included studying historical sources and object
collections to understand the origins and development of these
decorative techniques and the formulation and structure of imagery
and patterns that were associated with their use, particularly
that of Fencai. She is also engaged in practical investigations
into the traditional techniques.
Felicity Aylieff studied Ceramics and Textiles
at Bath Academy of Art, graduating in 1978, taught at Bedales
School in Hampshire and became a regular visiting lecturer at
numerous colleges including Goldsmiths College, London, before
returning to Bath Spa University College (BSUC) in 1989 to lecture
full time. In 1993 she took a career break to study for an MPhil
research degree at the Royal College of Art. In 2001 she was
made Professor of Ceramics at BSUC and in 2002 was appointed
Senior Tutor in Ceramics and Glass at the Royal College of Art
where she currently lectures. She serves on numerous committees,
was Chair of the National Association of Ceramics in Higher
Education, NACHE, and is currently national commissioner for
the European Ceramic Context 2014 and organises the Discovery
programme for Ceramic Art London.
She has had several major exhibitions, was
shortlisted for the Jerwood Prize for ceramics in 2001 and is
currently represented by Adrian Sassoon, Contemporary. Her ceramics
are held by the V&A, London, Museum of Wales, Cardiff, Boston
Museum of Fine Arts, USA, The Duke of Devonshire, Chatsworth
House, York Museum and other international collections.
Tuesday 11th March, at 6.00 pm at the Society of Antiquaries
The Annual Woolf Jade Lecture and drinks reception sponsored
by The Woolf Charitable Trust
Elinor Pearlstein, Associate Curator of Chinese
Art, Art Institute of Chicago
Chinese Jades through the Sonnenschein Lens
Between about 1920 and 1935, Edward (1881-1935)
and Louise (1884-1949) Sonnenschein of Chicago assembled an
outstanding collection of ancient Chinese jade that remains
a major strength of the Art Institute of Chicago and a destination
for scholars throughout the world. However keenly analyzed today,
its archaeological as well as art historical importance could
barely be envisioned during the couple’s own lifetime.
Earlier American collectors—most notably, Herber R. Bishop
(1840-1902) of New York—focused on resplendent jades of
late imperial China, and it was not until Charles Lang Freer
(1854-1919) spearheaded the pursuit of pieces that were ancient
as well as beautiful that those two qualities became an alluring
Selected and catalogued by the brilliant ethnologist
Berthold Laufer (1874-1934), Freer’s jades were first
shown publically in 1917 at the Art Institute. China’s
great antiquarian tradition of jade connoisseurship had defined
Laufer’s pioneering work of five years earlier, Jade:
A Study in Chinese Archaeology and Religion, as well as his
effort to build a significant collection for the nearby Field
Museum. The Sonnenscheins’ serious quest began as Laufer’s
wound down and as appreciable numbers of newly unearthed jades
first appeared on the Western art market. Their ventures coincided
with those of Grenville Lindall Winthrop (1864-1943) and Alfred
Fiske Pillsbury (1876-1950), whose collections were bequeathed,
respectively, to Harvard University and the Minneapolis Institute
The Sonnenscheins’ endeavor was admirable
but not solitary. They inherited the same traditions and shared
many of the same sources as their most notable American contemporaries.
This talk will explore the Sonnenscheins’ contributions,
individual and collective, to the assemblage and scholarship
of ancient Chinese jade in the early twentieth century.
Elinor Pearlstein has served as Associate Curator
of Chinese Art at the Art Institute of Chicago since 1986, following
ten years at the Cleveland Museum of Art. Her research on the
Sonnenschein jades has been published in “Archival Perspectives
on the Sonnenschein Collection,” Rosemary Scott, ed.,
Chinese Jades, Colloquies on Art and Archaeology in Asia no.
18 (1997), 223-62, as well as in Orientations, Arts of Asia,
and the Bulletin of the Art Institute of Chicago. Recent work
on Chicago’s jade and bronze collections is forthcoming
in “Early Chicago Chronicles of Early Chinese Art,”
Collectors, Collections, and Collecting the Arts of China: Histories
and Challenges (Gainesville: University of Florida Press, 2014),
This lecture will be followed by a drinks reception
at the Society of Antiquaries, kindly sponsored by Jonathan
Woolf, to which all members are warmly invited.
THE WOOLF COLLECTION OF IMPERIAL JADES – SPECIAL
For OCS members only, a special viewing
of the Woolf Collection of Imperial Chinese Jades will
be available on the day of the lecture, between 11:00 a.m. and
5:00 p.m. at Wessex House, 1 Chesham Street, London, SW1X 8ND.
Entry is free but by advance tickets only. Contact Mary Painter
by telephone on + 44 (0) 1223 881328 or email to email@example.com
Thursday 10th April at the Society
of Antiquaries (note change of date from the previous programme)
5.45 p.m. for 6.15 p.m. with welcome drinks sponsored by Woolley
Dr. Nigel Wood, Emeritus Professor
of Ceramics at the University of Westminster
A Study of Mamluk Period Imitations
of Chinese Longquan Celadon Wares Excavated from al-Fustat,
Chinese celadon wares from the Longquan kilns in Zhejiang province
were exported in huge quantities in the 13th to 15th centuries
AD. Among the numerous countries importing Longquan wares at
this time were Vietnam, Burma and Thailand. Potters in all these
regions made local versions of the Chinese originals using high-firing
stoneware bodies and reduction-fired glazes. Near Eastern countries
also imported Longquan wares over this same period, largely
channelled through the port of Hormuz. Near Eastern potters,
however, had no experience in high-temperature ceramics, so
copied these imports with earthenware clays and earthenware
glazes. Despite these limitations, some Near Eastern versions
of Chinese Longquan celadons can be superficially indistinguishable
from the Chinese wares, although they are compositionally unrelated.
The range, quality and scale of these Near Eastern celadon imitations
are certainly impressive and, in the case of Persia, the ‘imitated
celadon’ style continued well into the 17th C.
Quantities of these local celadon imitations
have been found in shard-heaps at al-Fustat in Egypt, and some
twenty examples are held at the Research Laboratory for Archaeology
and the History of Art at Oxford University. Some are wasters,
so must be of Egyptian manufacture, but others may derive from
kilns in Syria or Persia. With the help of fully-quantitative
SEM analysis and imaging, the technologies used to copy these
Chinese wares have been established and re-created, and this
talk describes the discoveries made through this work. Considered
overall, the shards represent a subtle, sophisticated and successful
manipulation of earthenware technology to re-create the colour
and character of imported Far Eastern high-fired ceramics.
Dr. Nigel Wood is an Emeritus Professor of
Ceramics at the University of Westminster and an Honorary Research
Associate at Oxford University. Nigel trained originally as
a potter and worked full-time making stoneware, porcelain and
terracotta for some ten years (1974-84) at a workshop in Hampshire.
His interests in Asian ceramics date back to his art school
years and he published his first paper in 1973 and his first
book in 1978. Since 1973, Nigel has published some 100 papers
on East Asian, European and Middle Eastern ceramics, mainly
considered from the technological perspective. In 2004 he was
co-author with Rose Kerr of the Ceramic Technology volume of
Science and Civilisation in China, Joseph Needham (Vol. V, part
12, CUP). Over the last two years Nigel has collaborated with
Peking University and the Palace Museum, Beijing on the technological
study of Ding ware, Ru ware and Guan ware. He has also worked
recently at Oxford on Egyptian copies of Longquan celadon ware,
and the relationships between Chinese ceramics and the Korean
Goryeo celadon tradition of the early 12th C.
Friday 9th May at the Society of Antiquaries (note change
of date from previous programme)
6.00 p.m. (lecture until 7:15 p.m.) followed by a drinks reception
sponsored by Marion and Sam Marsh
May Huang and Dr. Assadullah Souren Melikian-Chirvani
Important New Discoveries of Early Yuan Blue-and-White
May Huang will present recent discoveries of
porcelain fragments at Jingdezhen which should change the chronology
of Yuan Blue-and-White. These will include the only dated piece
of Yuan blue-and-white besides the ‘David Vases’,
as well as a group of very important underglaze-blue and -red
decorated shards excavated at Hongwei Yingyuan (Hongwei Cinema)
in downtown Jingdezhen. Through analysis of the archaeological
strata and other research, these fragments may be attributed
to the period between 1323 and 1336, i.e. much earlier than
the so-called “David Vases Type” first advanced
by American scholars such as John Pope in the 1950s. In total
fragments of fifteen stem bowls have been discovered, all of
which are decorated in underglaze blue and copper red. A scientific
compositional test indicates that both the cobalt-blue and copper-red
pigments were imported from West Asia. Moreover, seven stem
bowls are decorated with Iranian verses along the rim. After
analysing the inscriptions, the shape, decoration, and painting
technique, one may conclude that these wares were made by Iranian
potters who came to Jingdezhen with imported cobalt.
Dr. Melikian-Chirvani will analyse and discuss
the Iranian inscriptions on these stem bowls.
May Huang (Huang Wei), born in 1982, works
as lecturer at the School of Ceramic Art, Jingdezhen Ceramic
Institute, where she teaches courses on the history of Chinese
ceramics as well as world ceramics. She holds an M.A. degree
from Peking University and has published articles in Wenwu and
elsewhere. She has extensive field experience with archaeological
excavations, and in 2008 and 2013 received the Jingdezhen Ceramic
Institute’s award of Exemplary Teacher. She has repeatedly
been invited to lecture to the OCS, London, the Hong Kong OCS,
and the Min Chiu Society, Hong Kong.
Dr. Assadullah Souren Melikian-Chirvani is
a historian of Iran and Iranian art. He is Research Director
of the Département des sciences de l’homme et de
société of the CNRS in France and has published
widely on Iranian art, in particular on metalwork. Among his
many publications are the catalogue raisonné of the collection
of the Victoria & Albert Museum, entitled Islamic Metalwork
from the Iranian World (1982); and the catalogue of a major
Safavid exhibition at the Louvre, Paris, Le chant du monde :
l'art de l'Iran safavide, 1501-1736 (2007).
Sunday 11th May at 3:45 p.m. OCS/Sothebys lecture
* Venue: Sotheby’s London, 34-35 New Bond Street, London
W1A 2AA *
Literati Taste of Supervisor Tang Ying:
A Study Based on Newly Discovered Ceramics He Commissioned
As an excellent supervisor of the imperial
kilns, Tang Ying(1682-1756) has achieved brilliant results during
the Yongzheng and Qianlong periods. At the same time he took
advantage of his access to the manufactories to make a number
of porcelains for himself and his friends. These wares, which
were commissioned by Tang Ying and not by the Emperor, genuinely
embody his literary taste and personality. This lecture will
present several categories of such porcelains including some
newly discovered pieces auctioned recently, and by analyzing
their style and design philosophy and looking at documentary
records identify the characteristics of this type of porcelain
and offer a new view on Supervisor Tang Ying.
For a biographical note on May Huang, see above.
Admission is free but places are limited
and booking essential.
RSVP: firstname.lastname@example.org or phone 020 7293 6442.
Future lecture dates for 2014:
18th June: AGM, lecture and drinks reception
sponsored by Sotheby’s
14th October: David Hyatt-King on Hirado’s Earlier Figurines
3rd November: the annual Bonhams/OCS lecture at Bonhams
9th December: Lisa Golombek on Potters’ Marks on 17th
Century Persian Blue-and-White
IN NEW YORK
Saturday 15th March 2.30 p.m. - 5.30 p.m. OCS/Sotheby’s
* Venue: Sotheby’s, 1334 York Avenue (72nd Street), New
York, NY 10021 *
New Perspectives on Kangxi Porcelain
In association with the Oriental Ceramic Society
and the American Ceramic Circle, to coincide with the exhibition
Embracing Classic Chinese Culture: Kangxi Porcelain from the
Jie Rui Tang Collection.
Dr. Julia Curtis - Independent scholar from
Dr. Stephen Little - Curator and Head of the Chinese & Korean
Art Department at the Los Angeles County Museum of Art
Dr. Yibin Ni - Independent scholar and author on Chinese iconography
Dr. Mattew Bunney - Deputy Director of Research, Guangzhou Oriental
Mr. Jeffrey Stamen - collector of Kangxi period porcelain.
To be followed by a panel discussion hosted
by Henry Howard Sneyd, Sotheby’s Vice Chairman of the
Americas, Asian art. No booking necessary.
Monday 17th March, 2.00 p.m. to 3.30 p.m.
* Venue: Brooklyn Museum, Staff Entrance, 200 Eastern Parkway,
New York, NY 11238 *
Viewing session of masterpieces of Chinese
ceramics with Dr. Susan Beningson
Numbers are limited and booking is essential.
Please email Mary Painter at email@example.com or phone
+44 (0)1223 881328.
DISCUSSION AND HANDLING SESSIONS
Tuesday 11th February at the British Museum
Ceramic works by Japanese Living National Treasures and their
As part of a long term programme inviting OCS members to examine
at close hand and learn more about specific East Asian ceramics,
the British Museum would like to invite up to 20 members to
view and discuss some important examples of objects made by
Japanese Living National Treasures and some of the earlier wares
that possibly inspired their practice.
Pre-booking with the OCS is required via Mary
Painter. Please then come through Gallery 95: The Sir Percival
David Collection of Chinese Ceramics to the Study Room in the
Sir Joseph Hotung Centre for Ceramic Studies. It is cold in
the study room so please dress appropriately. No drinks or large
bags are allowed.
Numbers are limited to 20 members and booking is essential.
Please email Mary Painter by 24th January at firstname.lastname@example.org
or phone +44 1223 881328 or, after 24th January, Noriko Tsuchiya
at the BM on email@example.com.
The next discussion and handling session of wares from members’
collections will be held on Friday 9th May from 4:00 p.m. to
5:30 p.m. at the Society of Antiquaries. The subject will be
Korean wares. Please complete the form at the end of this programme,
limiting the items you are showing to around five pieces.
PLEASE NOTE: MEMBERS WHO ATTEND OUR DISCUSSION
AND HANDLING GROUP SESSIONS ARE SHOWING ALL PIECES AT THEIR
OWN RISK: THE OCS CANNOT ACCEPT RESPONSIBILITY FOR ANY DAMAGE
* * * * * * * * * * * * *
The OCS tour to Naples from 24th to 28th April
is fully booked with a waiting list.
* * * * * * * * * * * * *
OF INTEREST TO MEMBERS
Sainsbury Institute for the Study of Japanese
Arts & Cultures and Centre for Japanese Studies, UEA
Thursday Lecture Series supported by the Great Britain Sasakawa
Foundation and the Robert and Lisa Sainsbury Charitable Trust
Admission free, advance booking recommended by phone 01603 597507
or email: firstname.lastname@example.org. Web site: www.sainsbury-institute.org.
Lectures start at 6:00 p.m.
Venue: Norwich Cathedral Hostry (Weston Room), Norwich NR1 4EH
Islamic Art Circle at SOAS
Lectures begin at 7:00 p.m. in the Khalili Lecture Theatre (Main
School Lecture Theatre), Philips Building, SOAS, University
of London, Thornhaugh Street, Russell Square, London WC1H OXG.
For further information contact Rosalind Wade Haddon on 07714087480
or email to email@example.com.
EXHIBITIONS AND MUSEUMS
THE BRITISH MUSEUM
Great Russell Street, London WC1B 3DG. Tel: +44 (0)207 323 8181.
The Sir Joseph Hotung Centre for Ceramic Studies housing the
Sir Percival David Collection of Chinese Ceramics; The Joseph
E Hotung Gallery of Oriental Antiquities from China, India,
South Asia and Southeast Asia; Arts of Korea: The Korea Foundation
Gallery; 7000 Years of Chinese Jade from the Collection of Sir
Joseph Hotung: The Selwyn and Ellie Alleyne Gallery; The John
Addis Islamic Gallery.
GEMS OF CHINESE PAINTING -
A voyage along the Yangzi River
3 Apr 2014 – 31 Aug 2014
This exhibition explores the culture and beauty of southeast
China through 40 paintings and ceramics from the British Museum
collections. China’s southeast, also called Jiangnan,
stretches from the Lu Mountains eastwards along the Yangzi River
to Shanghai, including historic cities such as Yangzhou, Ningbo,
Hangzhou, Suzhou and Nanjing. Since the 3rd century, when Nanjing
was made the capital of successive dynasties, Jiangnan gradually
became China’s agriculturally most productive and culturally
and intellectually advanced region.
This exhibition celebrates the re-display of the Museum’s
best known Chinese painting, the Admonitions of the Instructress
to the Court Ladies, in a new gallery space. The Admonitions
scroll, traditionally attributed to Gu Kaizhi, is considered
to be a close copy of the probably perished original from Nanjing.
MING: 50 years that changed China
18 September 2014 – 5 January 2015
This major exhibition will explore a golden age in China’s
history. Between AD 1400 and 1450, China was a global superpower
run by one family – the Ming dynasty – who established
Beijing as the capital and built the Forbidden City. During
this period, Ming China was thoroughly connected with the outside
world. Chinese artists absorbed many fascinating influences,
and created some of the most beautiful objects and paintings
The exhibition will feature a range of these
spectacular objects – including exquisite porcelain, gold,
jewellery, furniture, paintings, sculptures and textiles –
from museums across China and the rest of the world. Many of
them have only been very recently discovered and have never
been seen outside China.
VICTORIA & ALBERT MUSEUM
Cromwell Road, London SW7 2RL. 0207 942 2000. www.vam.ac.uk
Toshiba Gallery of Japanese Art and Design; T. T. Tsui Gallery
of Chinese Art; Samsung Gallery of Korean Art; Jameel Gallery
of Islamic Art.
Display: Silver from the Malay World
Room 66, 15th July 2013 – 30th October 2014
This display explores the rich traditions of silver in the Malay
world. Intricate ornament drawn from geometry and nature decorates
dining vessels, clothing accessories and ceremonial regalia.
Silver from the Malay World features rarely seen collections
acquired by three prominent colonial administrators, R.J. Wilkinson,
R. O. Winstedt and Cecil Wray, who were stationed in British
Malaya at the turn of the 20th century. The display also shows
the V&A's first ever acquisition of Malay metalwork: electrotype
copies of the Perak royal regalia commissioned by the Museum
ASHMOLEAN MUSEUM, OXFORD
Beaumont Street, Oxford OX1 2PH. Tel: +44 (0)1865 278000. Fax:
+44 (0)1865 278018
Open Tue. – Sun. and Bank Holidays, 10.00 – 6.00.
Closed 24th -26th December and 1st January.
Khoan and Michael Sullivan Gallery
Michael Sullivan: A Life of Art and Friendship
11 March to 14 September 2014
Michael Sullivan, who died aged 96 in September 2013, was a
leading scholar of Chinese art. He was also able to build up
an outstanding collection of modern Chinese art through his
life-long friendships with prominent Chinese artists who presented
many inscribed paintings, prints, drawings or albums to him
and his wife Khoan. Their collection has been bequeathed by
Michael Sullivan to the Ashmolean, and this selection of works
commemorates his long and fruitful life of art and friendship.
THE FITZWILLIAM MUSEUM, CAMBRIDGE
Trumpington Street, Cambridge CB2 1RB. Tel: 01223 332900. Closed
The Oriental Gallery of Chinese and Japanese Art and the Gompertz
Gallery of Korean Art.
Edmund de Waal
On White: Porcelain Stories from the Fitzwilliam
Until 23rd February, 2014
De Waal has selected porcelain items from the Museum’s
permanent collections and placed them alongside object from
his residency in China, including poetry, photographs and letters.
The exhibition will examine the history of white and what it
is that fascinates de Waal about porcelain.
The re-curated spaces include two large-scale interventions.
The first, a thousand hours, comprising hundreds of porcelain
vessels encased in two slender vitrines, is one of de Waal’s
most ambitious creations to date and was the centrepiece of
a major exhibition at the Alan Cristea Gallery in London. The
second, yourself, you was especially commissioned for the Fitzwilliam’s
THE MUSEUM OF EAST ASIAN ART, BATH
12 Bennett Street Bath, BA1 2QJ: Tel. 01225 464640. Email: firstname.lastname@example.org.
Web: www.meaa.org.uk. Two new exhibitions will be on show until
29th June, 2014:-
This exhibition explores the idea of “treasure”
and showcases objects that were highly regarded by different
groups of people.
Eastern Voices in the West Country
An oral history project into the unexplored history of Chinese
immigrants in Bath.
THE POTTERIES MUSEUM & ART GALLERY, STOKE-ON-TRENT
Bethesda Street, City Centre, Stoke-on-Trent, ST1 3DW. Tel:
Bonham’s, 101 New Bond Street, London W1S 1SR. Tel: 020
15th May Fine Chinese Art
15th May Fine Japanese Art
Bonham’s, Montpelier Street, Knightsbridge,
SW7 1HH. Tel: 020 7393 3943
19th February Asian Art
12th May Asian Art
Christie’s, 8 King Street, London SW1Y
6QT. Tel: 0207 389 2574
13th May Fine Chinese Ceramics & Works of Art
Christie’s, 85 Old Brompton Road, London
SW7 3LD. Tel: 020 7930 6074
14th May Fine Chinese Ceramics & Works of Art
16th May Fine Chinese Ceramics & Works of Art
Sotheby’s, 34-35 New Bond Street, London
W1A 2AA. 020 7293 6442
14th May Fine Chinese Ceramics & Works of Art
26th March Asian Art
2nd July Asian Art
Dreweatts & Bloomsbury Auctions
12th March Chinese & Asian ceramics & works of art (in
18th May Chinese & Asian ceramics & works of art (in
Woolley & Wallis, Salisbury
21st May Fine Chinese ceramics and other Asian works of art
22nd May Fine Chinese ceramics and other Asian works of art
Bonhams Hong Kong
25th May Fine Chinese Paintings, Classical, Modern & Contemporary
25th May Fine Chinese Ceramics & Works of Art
25th May Asian 20th Century & Contemporary Art
Christie's Hong Kong
28th May Important Chinese Ceramics & Works of Art
Sotheby’s Hong Kong
8th April Fine Chinese Ceramics & Works of Art
Bonhams New York
17th March Chinese Art from the Scholar’s Studio
18th March Fine Japanese Art
27th May Fine Chinese Ceramics & Works of Art
Christie’s New York
20th March Fine Chinese Ceramics & Works of Art
21st March Fine Chinese Ceramics & Works of Art
Sotheby’s New York
18th March Fine Chinese Ceramics & Works of Art
19th March Fine Chinese Ceramics & Works of Art
13th June Art d’Asie
12th June Fine Chinese Ceramics & Works of Art
Bonhams San Francisco
4th March Asian Decorative Arts
17th June Fine Asian Works of Art
18th June Asian Decorative Arts